TECHNIQUE OF PERFORMING MODERN TECHNIQUES OF PLAYING WITH THE BLOW (RICOCHET) AS A MEANS OF DEVELOPING THE PERFORMING SKILLS OF THE ACCORDIONIST

Abstract

The article is devoted to the review and systematization of the most common fur playing techniques, common in modern button accordions art. We consider the specifics of their execution, are examples of art embodiment of these techniques on samples of music. Proposed classification fur bellows techniques in accordance with the basic types and varieties. Bellows shake – taking game using periodic changes bellows on one sound or tune that runs multidirectional movements bellows in a slow, moderate or fast pace. Ricochet sound effect arising from bellows shake furs and light strikes one part of the bellows on the right semi-casing accordions, thus a characteristic sound attack. From the French word ricochet means "bounce". In this case, actually the rebound (directly rebound) becomes small, independent movement of the lower part of the left half a length in compression immediately after a light blow its top in the upper part of the right half a length in conditions of slightly diluted bellows. It is this movement of the lower half a length and produces one extra sound attack on the already pressed. Duplicate ricochet is a fragment of the main ricochet, which uses only ricocheting part, i.e. the impact of the upper part of the left semi-casing (bellows close) and t hen move lower. Three-brained ricochet is the most common and not difficult in terms of performance development, exists in two versions: direct and inverse. Direct threebrained ricochet begins to bellows open (first fraction), then the bellows close in the second and third fraction (kick-rebound). Reverse the three-brained ricochet, on the contrary, begins to bellows close, then there is a bump-rebound correspond to the first and second fraction, and the third sounds through further bellows open. Quadruple ricochet is also a widespread bellows performing. Its implementation technology reflects the execution method of ricochet on the basis of direct Three-brained rebound with the mandatory withdrawal of the fingers from the keys between the fourth and first stakes in each link. Atically and continuous ricochets include in their performance technique broader involvement of all resource of instrumente, namely active alternate work almost all four corners of bellows of accordions. So, a wide variety of original techniques bellows that are used in performing and composing spheres bayan creativity, is a bright and colorful timbre is sonorous complex that its distinctive sound greatly enriches the system of expressive means of modern bayan music broadcasting. Arrhythmic or wlnerable bellows shake – performance reception howoge bellows shake sound of the cascade without regular metrorhythmical organization. Most often it is free expedited and free slow motion, undulating aleatoric build. Bellows flams – performance short forslag (mostly chord textures) receiving bellows shake.