DEVELOPMENT OF PROFESSIONAL QUALITIES OF BAIANIST STUDENTS USING TEXTOLOGICAL MEANS OF MUSICAL EXPRESSION

Abstract

The article is devoted to the review and systematization of the most common fur playing techniques, common in modern button accordions art. We consider the specifics of their execution, are examples of art embodiment of these techniques on samples of music. Proposed classification fur bellows techniques in accordance with the basic types and varieties. Bellows shake – taking game using periodic changes bellows on one sound or tune that runs multi-directional movements bellows in a slow, moderate or fast pace. Traditionally, the reception bellows tremolo is performed by the movement of the left half a length, i.e. the left hand. Although in recent years increasingly using technology tremolando and right hand. This technique is offered in the episodes with long-term bellows tremolo for the purpose of reasonable distribution of muscular work required for its execution, between both hands. Rarely used execution even start groups on compression bellows (so-called reverse tremolo). In turn, the game three share (trainig) structures by conventional tremolo provides for the execution of the first share of each group in turn in different directions of movement of the bellows, i.e. resinate compress. The conventional tremolo bellows has gained the most widespread application as the original bayan left in the modern practice of composition and genre of arrangements and transcriptions for accordion instrumental and orchestral music. Conventional bellows shake – perform sequential multi-directional movement of the bellows hold with fingers pressed keys. Thus, the beginning sound of the two paired groups will always be in open bellows. Combined bellows shake deducts fingers on the keys only in the middle of the group and removing them only at the moment of switching, movement bellows at first the fate of each new group is in the direction of the last fate of the previous group. That is, it combines the versatility of movement bellows with unidirectionality. Asymmetric normal bellows shake – performing groups with heterogeneous metric (dicots and triple) by taking regular bellows shake. In this case, the multidirectional alternating movement bellows coincides with the accent beats asymmetrical metric groups. Asymmetric combined bellows shake – fulfillment by way of a combined shake chain groups with heterogeneous metric. Synthesized bellows shake is a combination of tremoulinas movement of the elements of normal and combined bellows shake. Arrhythmic or wearable bellows shake – performance reception howoge bellows shake sound of the cascade without regular metrorhythmical organization. Most often it is free expedited and free slow motion, undulating aleatoric build. Bellows flams – performance short forslag (mostly chord textures) receiving bellows shake.