TECHNOLOGICAL PROGRESS IN THE MUSIC INDUSTRY AND ITS IMPACT ON THE PROFESSIONAL CONCEPT OF MUSIC CREATION
Abstract
In the article, the peculiarities of the interaction between musical creativity and technologies in the conditions of the modern world are considered. The authors analyze various aspects of this interaction, taking into account the historical context and the transition from analog to digital technologies in the process of music creation. The impact of technological progress on the music creation process and the methods of training future professionals in the music industry are investigated. Scientific research and reflections of scientists and artists of the music sector, who pay attention to the synergy of artistic and technological processes, which becomes a dominant and influential factor in the modern world, are discussed. The article focuses on the historical aspect of the music creation process, emphasizing its cultural and emotionally perceptible significance. Separate attention is paid to the ongoing process of increasing the number of musical compositions published and their significant influence on competition in the modern music industry. The growing role of high-tech equipment and electronic components in the creation of musical instruments is emphasized. The authors note that innovative methods of digitizing the sound amplification process allow improving the quality of concert performance, the efficiency of concert preparation, and solving existing acoustic problems. Emphasis is placed on the use of 3D modeling processes in the production of traditional and modern musical instruments. The article emphasizes the importance of hybrid interactions in the process of creating musical material, where organic, analog, and digital components collaborate to achieve maximum quality of the musical product. The authors offer a comprehensive view of the interaction between the music sphere and technologies and emphasize the importance of their interaction. Key aspects of the transformation of the music industry in the context of modern technologies and the challenges facing contemporary musicians, composers, and music producers are highlighted. Various strategies for adapting to constantly changing conditions in the music market and the use of advanced technological tools and software for creating and promoting musical content are analyzed.
References
Eno B. (2009). The Studio as Compositional Tool. In: Cox, Christoph & Daniel Warner, ed. Audio Culture: Readings In Modern Music. New York: Continuum, 4.
Фадєєва К.В. (2013). Музичні комп’ютерні технології в історичному та сучасному аспектах. Мистецтвознавчі записки.
Ingham T. (2019). It’s Happened: 100,000 Tracks Are Now Being Uploaded to Streaming Services Like Spotify Each Day. Music Business Worldwide. https://www.musicbusinessworldwide.com/.
Marrington M. (2017). Composing with the Digital Audio Workstation. In: Williams J., Williams K., eds. The Singer-Songwriter Handbook. New York: Bloomsbury Academic, 77–89.
Nevels D.L. (2018). Music Software in the Compositional Learning Process. USF Tampa Graduate Theses and Dissertations.
Ньюел Ф. (2015). Мастеринг: погляд зсередини. Київ: Комора.
Oliveiro M. (2016). Compositional Approaches Within New Media Paradigms. University of North Texas.
Oswald J. (2009). Bettered by the Borrower: The Ethics of Musical Debt. In: Cox, Christoph & Daniel Warner, ed. Audio Culture: Readings In Modern Music. New York: Continuum, 4.
Stockfelt O., et al. (2004). Adequate modes of listening. Popular music: Critical concepts in media and cultural studies.
Strachan R. (2017). Sonic Technologies: Popular Music, Digital Culture and Creative Process. New York/London: Bloomsbury.
Wilmering T. (2014). Applications of Semantic Web Technologies in Music Production. PhD thesis, Queen Mary, University of London.
